![]() ![]() The 2016-2017 season began with an anticipated return to Seattle Opera, as Gretel in Hansel and Gretel. The 2017-2018 season saw the soprano make her company and role debut as Mimi in La bohème with Opera Colorado, followed by an appearance with the Eugene Concert Choir for Mozart’s Grand Mass in C Minor. Additionally, she joined the Lyric Opera of Chicago to cover Ginevra in Ariodante. The previous season included a return to Utah Opera as Juliette in Roméo et Juliette, and a role debut as Abigail Williams in The Crucible with Opera Santa Barbara. Matanovič returned to Utah Opera as Violetta in La Traviata (performed) , and joined the Santa Barbara Symphony for performances of Mozart’s Exsultate Jubilate and Mahler’s Symphony No. The soprano’s engagements during the COVID-19 impacted 2020-2021 season include Violetta in La traviata with Opera Santa Barbara and Beethoven’s 9th Symphony, plus concert excerpts by the composer, with the Santa Barbara Symphony (cancelled).ĭuring the COVID-19 shortened 2019-2020 season, Ms. In her debut with the Glimmerglass Festival as Micaëla, she was praised for her “sinuous soprano with its golden timbre and silky-smooth legato, charmed the ears immediately…” and “first-class performance” (David Abrams, Musical Criticism). Praised for her “thrilling vocal color” and “sweetly winning” presence, American soprano Anya Matanovic made her international opera debut as Musetta in Franco Zeffirelli’s captivating production of Puccini’s La bohème with the New Israeli Opera’s.
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